Wavelab 8.5 review
If you'd rather not use the Master Transport Panel at all, you can fold it away.īeyond that, there are also some useful additions to the editing tools, including 'Raise selection with envelope' (raise or lower the volume envelope of the selected audio section only) and 'Create clip from selection', both of which are the sort of operations you'd normally expect to find in a DAW rather than an audio editor.įinally, the new 'Super Clip' option simplifies an Audio Montage by rendering multiple clips into one, while still retaining the original layout as a sub-montage should you wish to go back to it later - sort of a cross between bounce and freeze.
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Some of the buttons also use drop-down menus for further functions and customisation, and once you have a setup you like, you can save the whole thing as a preset. It's window-specific (and so has far more buttons in the Montage window than in the Batch processor) and brings together many useful controls, including range selection and anchor points, as well as more obvious functions such as play and record. "The new Master Transport Panel brings together many useful controls, including range selection and anchor points" First, the new Master Transport Panel, which sits either above or below the waveform display. However, there are some new operational changes that are worth mentioning. WaveLab 8 remains largely unchanged from WaveLab 7 in terms of workflow and functionality. It's worth noting that this is available to the various Montage effects sections (clip, track and master), but not the overall Master Output section. On the subject of plugins, effects chains are now presented in a tabbed window, enabling you to add, remove and switch processors around all within the one panel. CurveEQ is a Voxengo classic (also bundled with Cubase 7): a 64-band spline design that's about as flexible and easy to use as EQ plugins get. Particularly notable are the compressor's three sidechain options (low-pass, high-pass and band-pass, with adjustable cutoff and Q width), tube drive and mix balance control. Of the three new plugins, Brickwall Limiter is the most basic however, both Tube Compressor and CurveEQ are excellent. It's a good idea that we found worked pretty well. This aims to match the loudness of audio clips within an Audio Montage, either to the loudest clip or to a specific value. The most interesting new loudness-related feature is the Loudness Meta Normalizer.
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You can also customise the ranges and colours. The meters are highly configurable, with both EBU and custom scaling, and overall standardised presets (Classical R-128, for example). This is complemented by your more typical loudness meters, indicating momentary, short-term and integrated loudness (levels only), along with a handy histogram.
Wavelab 8.5 review update#
Get "WaveLab 8.5 Update Explained" today."The Loudness Meta Normalizer matches the loudness of audio clips within an Audio Montage" Make your WaveLab 8.5 experience one of pure bliss.
Wavelab 8.5 review how to#
Mark wraps up the series with a video on Watch Folders, demonstrating how to Automate File Conversions and Batch Processing for increased workflow and speed. Multi-Format Rendering is up next, and you'll learn all about this timesaving feature that's used to Export an Audio File to a number of different File Formats, simultaneously, using Multicore Technology when available. Moving on, Mark showcases the Encoder Checker that allows you to compare Common Encoder Formats and their Settings, so you can choose the best one for your needs.
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Next, Mark dives into the new AAC Encoder and iTunes Integration, showing you how to use them to make files that are compatible with Apple products, such as iTunes, iPod and iPhone. Mark starts with an Introduction covering the New Features, Installation Tips, and Preference Management. Steinberg master Mark Struthers returns with a series dedicated to the new WaveLab 8.5 Update, explaining all the Encoding and Processing features and enhancements, that were added to this powerhouse editing suite.